Creative Work
Greg Sarris has been involved in a number of creative projects from many different disciplines. Use the links below to navigate to the section you wish to view.
Memoir
April 5, 2022
Becoming Story
For the first time in more than twenty-five years, Greg Sarris—whose novels are esteemed alongside those of Louise Erdrich and Stephen Graham Jones—presents a book about his own life. In Becoming Story he asks: What does it mean to be truly connected to the place you call home—to walk where innumerable generations of your ancestors have walked? And what does it mean when you dedicate your life to making that connection even deeper? Moving between his childhood and the present day, Sarris creates a kaleidoscopic narrative about the forces that shaped his early years and his eventual work as a tribal leader. He considers the deep past, historical traumas, and possible futures of his homeland. His acclaimed storytelling skills are in top form here, and he charts his journey in prose that is humorous, searching, and profound. A gently powerful memoir, Becoming Story is also a master class in the art of belonging to the place where you live.
Novel
July 1, 2021
Watermelon Nights
This new edition of the novel features a revised preface by the author and an afterword by Reginald Dyck, who identifies broader contexts important to our understanding of the novel, including tribal sovereignty, federal Indian policy, and the effects of historical trauma. Gritty yet rich in emotion, Watermelon Nights stands beside the works of Louise Erdrich, Stephen Graham Jones, and Tommy Orange.
Stories
2019
How A Mountain Was Made
Now available in paperback! In the tradition of Calvino’s Italian Folktales, Greg Sarris, author of the award-winning novel Grand Avenue, turns his attention to his ancestral homeland of Sonoma Mountain in Northern California. In sixteen interconnected original stories, the twin crows Question Woman and Answer Woman take us through a world unlike yet oddly reminiscent of our own: one which blooms bright with poppies, lupines, and clover; one in which Water Bug kidnaps an entire creek; in which songs have the power to enchant; in which Rain is a beautiful woman who keeps people’s memories in stones. Inspired by traditional Coast Miwok and Southern Pomo creation tales, these stories are timeless in their wisdom and beauty, and because of this timelessness their messages are vital and immediate.
Novel
2015
Grand Avenue
Grand Avenue runs through the center of the Northern California town of Santa Rosa. One stretch of it is home not only to Pomo Indians making a life outside the reservation but also to Mexicans, blacks, and some Portuguese, all trying to find their way among the many obstacles in their turbulent world.
Novel
2013
Mabel McKay: Weaving the Dream
A world-renowned Pomo basket weaver and medicine woman, Mabel McKay expressed her genius through her celebrated baskets, her Dreams, her cures, and the stories with which she kept her culture alive. She spent her life teaching others how the spirit speaks through the Dream, how the spirit heals, and how the spirit demands to be heard.
Novel
1999
Watermelon Nights
A Native American saga that spans generations chronicles the deep connections among members of Johnny Severe’s family, as his mother’s and grandmother’s pasts retain a fascinating hold over his present. A first novel.
Anthology
1994
The Sound of Rattles and Clappers
In this anthology of poetry and fiction, ten Native Americans of California Indian ancestry illuminate aspects of their respective native cultures in works characterized by a profound love of place and people, as well as by anger over political oppression and social problems.
Essays
1993
Keeping Slug Woman Alive
This remarkable collection of eight essays offers a rare perspective on the issue of cross-cultural communication. Greg Sarris is concerned with American Indian texts, both oral and written, as well as with other American Indian cultural phenomena such as basketry and religion. His essays cover a range of topics that include orality, art, literary criticism, and pedagogy, and demonstrate that people can see more than just “what things seem to be.” Throughout, he asks: How can we read across cultures so as to encourage communication rather than to close it down?